The Kluge family realized the importance of mechanization in the textile industry. In the 1880s the family improved productivity of indigo printing by building a large workshop to accommodate all-season dyeing and drying of the cloth. Before that time, indigo printing was a seasonal industry because it was not possible to successfully dry the fabric in winter.

Irén Bódy graduated from the Collage majoring in textile pressing in 1952 before she began working as a designer for a factory where she spent ten years.

The task and purpose of the Blueprint Museum is to maintain the blueprinting craft and traditions, as well as to collect and exhibit its objective relics. That is why we visited the blueprint workshops still in function between 1984 and 1989. We arranged regular trade conferences and demonstrated these workshops to the visitors