2025. April 29. Tuesday
Jankay Compilation and Kortárs Galleria - Békéscsaba
 |
Address: 5600, Békéscsaba Andrássy út 37/43.
Phone number: (66) 524-656
E-mail: jankaygaleria@t-online.hu
Opening hours: Tue-Sun 9-18
|
The exhibition has closed for visitors.
2008.02.22. - 2008.03.27.
Share it, if you like it:
The artist born in Szeged has lived in Békéscsaba since 1984. This time she exhibits at the Jankay Collection and the Contemporary Gallery.
Anna Váradi graduated from the Gyula Juhász Training Collage in Szeged in 1981. Ever since then she has been a professional painter. She has held a number of one-man and collective exhibitions in Hungary and participated at artist colonies both abroad and Hungary. She is member of the Association of Hungarian Artists and the International Fire Enamel Workshop of Kecskemét.
She has been involved in fire enamel since 2004. Her master is Éva Hévizi. This time Anna Váradi shows her fire enamel pictures.
The arts historian Mária Angyal says the following of Anna Váradi' works: "Her art is tension, susceptibility for colour, compositional order, richness of gender and decoration, certain returning topics... She handles the surface according to her own terms. The tension in her paintings does not suggest a background world but emotions and pathos crated by the spectacle."
Though her fire enamels usually suggest these signs, this time she works with fire enamel instead of oil to create the right effect.
Anna Váradi graduated from the Gyula Juhász Training Collage in Szeged in 1981. Ever since then she has been a professional painter. She has held a number of one-man and collective exhibitions in Hungary and participated at artist colonies both abroad and Hungary. She is member of the Association of Hungarian Artists and the International Fire Enamel Workshop of Kecskemét.
She has been involved in fire enamel since 2004. Her master is Éva Hévizi. This time Anna Váradi shows her fire enamel pictures.
The arts historian Mária Angyal says the following of Anna Váradi' works: "Her art is tension, susceptibility for colour, compositional order, richness of gender and decoration, certain returning topics... She handles the surface according to her own terms. The tension in her paintings does not suggest a background world but emotions and pathos crated by the spectacle."
Though her fire enamels usually suggest these signs, this time she works with fire enamel instead of oil to create the right effect.
|
|
